Chinese Costume Culture: Tunpu'S Han Costume Art Culture
Guizhou has a special Han population.
Tunpu
Han nationality.
They were Ming and Hongwu in fourteen years (1382) because of the "Tai TSU Ping Yunnan" and the "Ming and Northern Dynasties" of the Ming army and their descendants who entered Yunnan and Guizhou.
Jiangnan
Sons and their descendants.
For more than 600 years, the Tunpu people kept the customs of the Ming Dynasty and kept the costumes of the Ming Dynasty. The ancient style of Jianghuai formed a unique Han culture area.
In language, clothing, architecture, customs and festivals culture, it is quite different from the surrounding ethnic groups and even other Han people.
It formed today's Tunpu villages and Tunpu people and unique and rare "
Tunpu culture
"
Tunpu villages scattered in the middle of Guizhou, but no matter where they are, their clothing has hardly changed. Far from here, more than 300 villages in Tunpu are difficult to distinguish from clothing alone.
In other words, Tunpu people have always adhered to their ancestors' culture, traditions and customs, which is the charm of Tunpu culture.
Tunpu Han, as the representative of the army, invaders and advanced culture at that time, had a psychological sense of superiority. At the same time, due to military security considerations, Tunpu people formed a closed life circle, and there was not much change in "do in Rome as the Romans do", thus maintaining the aesthetic view of the Southern Yangtze River in the Ming Dynasty.
Tunpu Han costume is mainly blue, not red or yellow. On the one hand, red and yellow are royally colored and cannot be used arbitrarily. On the other hand, they think that red and yellow are too ostentatious and unethical.
Tunpu costumes are not classified as plain fashion or costumes. Changes in clothing are mainly used to distinguish whether they are married or whether they have a daughter-in-law. This difference is only reflected in hairstyles, headgear and lace.
Tunpu Han costume is mainly blue, not red or yellow. On the one hand, red and yellow are royally colored and cannot be used arbitrarily. On the other hand, they think that red and yellow are too ostentatious and unethical.
Tunpu costumes are not classified as plain fashion or costumes. Changes in clothing are mainly used to distinguish whether they are married or whether they have a daughter-in-law. This difference is only reflected in hairstyles, headgear and lace.
For Tunpu people, Confucianism, Buddhism and Taoism are the three most influential thoughts.
Especially for Tunpu women, they are also faithful followers of Buddhism, so some patterns of Buddhists appear on clothing and other ornaments.
But unlike Miao people, Tunpu's religious consciousness is reflected not only in costumes, but also in daily life habits, offering sacrifices, offering sacrifices to sacrifice, burning incense and burning paper.
Influenced by Confucianism, Tunpu costumes carry more ethical and moral responsibilities than the Miao costumes, and pursue dignified and simple effects with concise and practical styles and blue and blue tones.
Even the "Er Ji" pattern resembling butterflies on the chest of Tunpu dress is only a symbol of auspiciousness, not a butterfly or any other deformation of a green skirt.
Tunpu Han costume reflects vividly the long history, splendid culture and rich aesthetic significance of the Chinese nation.
The change of dress form, color and pattern represents the spiritual experience of the Chinese nation in the process of labor and the great pioneering experience in practical experience.
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